Prototype X Death of Classical | Tiergarten
Jan
16
5:30 PM17:30

Prototype X Death of Classical | Tiergarten

Ariadne appears with some spectacular crimes against Fach in a degenerate cabaret.

Death of Classical's immersive, subversive, underground cabaret event takes its name from the Tiergarten—“The Garden of Beasts”—a sprawling central park in Berlin around which the murderous leaders of the Third Reich rose to power. Directed by Andrew Ousley, the program traces a path backwards in time, exploring historic moments of societal madness through music ranging from Handel and Verdi to The Rocky Horror Picture Show, Dean Martin to Max Richter, William Byrd to Brecht & Weill, with a panoply of performances that includes opera, classical, jazz, ballet, burlesque, and more.

Featuring Kim David Smith as Master of Ceremonies, Death of Classical's production takes audience members down an alleyway behind St. Paul's Carroll Street, transforming the church assembly hall into a 1920s Weimar Speakeasy, with food and drink included in the ticket price.

Shows at 5:30 and 8:30 PM

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Washington Heights Chamber Orchestra | Barber's Knoxville: Summer of 1915
Apr
18
7:30 PM19:30

Washington Heights Chamber Orchestra | Barber's Knoxville: Summer of 1915

A very special concert for our neighbors in our own neighborhood! Please come!

In The Places That Inspire Us, we explore music inspired by real-world settings and the emotional landscapes they evoke. The program begins with Anna Clyne’s Restless Oceans, a thrilling contemporary work for chamber orchestra that channels the turbulence and strength of the sea. This work draws inspiration and its title from A Woman Speaks – a poem by Audre Lorde.  Next on the program, WHCO is joined by Ariadne Greif for Samuel Barber’s Knoxville: Summer of 1915, a nostalgic meditation on childhood and place, set to the words of James Agee. Concluding our program is Felix Mendelssohn’s Symphony No. 3 “Scottish”, a sweeping tribute to the rugged romance of the Scottish Highlands.

This concert will be approximately 1hr, no intermission. Reception to follow.

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Ukaria | Brooklyn Rider | Ever Yours
Nov
2
2:30 PM14:30

Ukaria | Brooklyn Rider | Ever Yours

Cancert Four | Ever Yours

CHAMBERFEST CURATED BY BROOKLYN RIDER

Adult $75 | Conc $70 | Student $35

Photo: Mark Bond

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When thinking about how to cap off this edition of Chamberfest, UKARIA's own Alison Beare suggested the idea of working with a fabulous string quartet from the Australian National Academy of Music. The idea immediately struck us for a couple of reasons. First, a couple of years ago, we did a collaborative program with the Danish String Quartet in Copenhagen which was a real hoot! So we had proof of concept! But second, our dear friend and omnivorous musical creator Osvaldo Golijov has since written a string octet (Ever Yours) inspired by Haydn’s amazing work of extraordinary gravitas, Op. 76 No. 2; we’ve been anxiously seeking opportunities to bring these works together on a program, and lo and behold!

To round out the program, we wanted to present Am I in your light? – a stunning aria from John Adams’ celebrated opera Doctor Atomic, again inviting Ariadne Greif back to the stage. This colourful program begins with a recent BR commission from the tirelessly creative Sicilian cellist Giovanni Sollima based on T.S. Eliot’s Four Quartets. All good things come to an end; we bring this edition of Chamberfest to a rousing conclusion with traditional works from the Danish Quartet’s library and a special work that has been part of BR since the very beginning – Ascending Bird, which uses a traditional Persian tune, telling the ancient story (likely with Zoroastrian roots) of a bird that flies to the sun in a fiery embrace.

– Brooklyn Rider

Brooklyn Rider
Ariadne Greif | Soprano
ANAM String Quartet
    Olivia Kowalik | Violin
    Jasmine Milton | Violin
    Hanna Wallace | Viola
    Max Zhenxiang Wung | Cello

PROGRAM

Giovanni Sollima (b. 1962)
Four Quartets [13′]

I. Burnt Norton
II. East Coker
III. The Dry Salvages
IV. Little Gidding

John Adams (b. 1947)
Am I in your light? from Doctor Atomic [5′]

Joseph Haydn (1732–1809)
String Quartet in D minor, Op. 76 No. 2 [20′]

I. Allegro
II. Andante di molto più tosto allegretto
III. Menuetto. Allegro ma non troppo
IV. Vivace assai

INTERVAL

Osvaldo Golijov (b. 1960)
Ever Yours [24’]

Rasmus Storm / Danish String Quartet
Minuet No. 60 [3’]

Scottish-Danish Traditional / Danish String Quartet
The Dromer [3’]

Colin Jacobsen and Siamak Aghaei / Persian Traditional
Ascending Bird [9’]

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Ukaria | Brooklyn Rider | Morning Dances
Nov
2
11:30 AM11:30

Ukaria | Brooklyn Rider | Morning Dances

Concert Four | Morning Dances

CHAMBERFEST CURATED BY BROOKLYN RIDER

Adult $70 | Conc $65 | Student $30

Photo: David Bonnell

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A big part of what inspires us as a string quartet is the possibility for collaboration across artistic disciplines. We have had a long history working with dancers and choreographers, having been the resident quartet at the Vail Dance Festival (Vail, Colorado, USA) for more than ten years. One of the amazing artists we have encountered over the years is Australia’s own Melissa Toogood, a visionary dancer whose long history with the Merce Cunningham Dance Company and choreographer Pam Tanowitz has made her one of the most esteemed dancers of her generation. Melissa has invited the multi-faceted dancer and Gold Coast native Fiona Jopp to join this program, Morning Dances.

For the occasion, we have decided to make this a morning of musical solos; grounded by two of Bach’s most iconic works for solo string instruments, the morning also features three contemporary works. Kate Moore and Liza Lim are both Australian-born composers with worldwide reputations, the former represented by a mesmerising work for solo viola and the latter, a jaw-dropping work for solo cello.

Our dear friend Ariadne Greif rejoins the fold to present a recent work by the ever-wonderful Caroline Shaw, featuring the extraordinary poetry of Anne Carson. This collaboration will come together on the grounds of UKARIA, and this particular program likely won’t exist anywhere else in the same way! Save room on your dance card!

– Brooklyn Rider

Johnny Gandelsman | Violin
Colin Jacobsen | Violin
Nicholas Cords | Viola
Michael Nicolas | Cello
Melissa Toogood | Dancer and Choreographer
Fiona Jopp | Dancer
Ariadne Greif | Soprano

PROGRAM

Johann Sebastian Bach (1685–1750)
Cello Suite No. 1 in G, BWV 1007 (transcribed for violin) [13′]

I. Prelude
II. Allemande
III. Courante
IV. Sarabande
V. Minuet I / II
VI. Gigue

Kate Moore (b. 1979)
For Tor [7′]

Caroline Shaw (b. 1982)
We Need To Talk [10′]

Liza Lim (b. 1966)
Invisibility [12′]

Johann Sebastian Bach (1685–1750)
Chaconne from Partita for Solo Violin No. 2 in D minor, BWV 1004 [17′]

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Ukaria | Brooklyn Rider | Chalk and Soot
Nov
1
to Nov 7

Ukaria | Brooklyn Rider | Chalk and Soot

Concert 2 | Chalk and Soot

CHAMBERFEST CURATED BY BROOKLYN RIDER

Adult $75 | Conc $70 | Student $35

Packages AvailableTickets

The 1908 premiere of Schoenberg’s Second String Quartet, Op. 10 drew riotous behaviour from a deeply divided fin-de-siècle Viennese audience – on the one side, devoted followers of the forward-looking composer and on the other, those who considered his works cacophonous and offensive. Indeed, the quartet’s last movement figurations, disorienting and weightless, make us believe that we breathe ‘…the air of another planet.’ (Note: no riots this time, please!)

This luminous and highly important work was nevertheless performed many times during Schoenberg’s lifetime. In the audience for the German premiere in 1911 was the Russian-born expressionist Wassily Kandinsky. Transformed by the experience, Kandinsky’s art took a forward bound towards abstraction, seemingly emboldened by Schoenberg’s journey into atonality. A friendship evolved between these kindred spirits that was to last a quarter century, and Schoenberg was to become associated with the group of artists surrounding Kandinsky known as Der Blaue Reiter (The Blue Rider – our namesake!).

To honour these connections, we present Chalk and Soot, an extended song cycle by our own Colin Jacobsen that sets the absurd, colourful, figurative, and pastoral scenes of Kandinsky’s proto-Dadaist poetry from 1912 in an eclectic manner, moving seamlessly between the theatrical, profound, and surreal. We also offer selected works from our own Brooklyn Rider Almanac commissioning project. These particular short pieces are all grounded by a visual sense, inspired by the beauty of UKARIA and the connection between music and the visual arts which is so embodied here.

Clarice Assad’s colourful Cinematheque is a soundtrack to a movie that doesn’t exist. Mallacoota native Padma Newsome contributed a work inspired by the legendary work of the Arrernte watercolourist Albert Namatjira. Dana Lyn’s work completes the set: an ode to Mierle Laderman Ukeles, long time ‘artist-in-residence’ of the New York City Department of Sanitation.

If none of the above is motivation enough, come and treat yourself to the amazing vocal stylings of soprano Ariadne Greif, our fearless and dazzling collaborator!

– Brooklyn Rider

Brooklyn Rider
Johnny Gandelsman | Violin
Colin Jacobsen | Violin
Nicholas Cords | Viola
Michael Nicolas | Cello
Ariadne Greif | Soprano

PROGRAM

Clarice Assad (b. 1978)
Cinematheque [7′]

Padma Newsome (b. 1961)
Simpson’s Gap (from Gaps and Gorges) [7′]

Dana Lyn (b. 1974)
Maintenance Music [7′]

Arnold Schoenberg (1874–1951)
String Quartet No. 2, Op. 10
[31′]

I. Mässig
II. Sehr rasch
III. Litanei. Langsam
IV. Entrückung. Sehr langsam

INTERVAL

Colin Jacobsen (b. 1978)
Chalk and Soot [35′]

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Sounds Fun! | Contemporaneous | Roulette
Aug
28
8:00 PM20:00

Sounds Fun! | Contemporaneous | Roulette

IN SHORT

Join us for the first concert of our 2025-2026 season as we celebrate the end of Summer. Sounds Fun! is a celebration of the wildest — and simply most fun — music you’ve never heard!

MORE ABOUT THE PROGRAM

Sounds Fun! is a presentation of the most energetic collection of music being written for today’s world – including a sprinkle of musical absurdism with Andrew Hamilton’s “Music for People Who Like Art”, a touch of noise with Alex Paxton’s “shrimp BIT babyface”, an eclectic splash of world premiere arrangements, and so much more. This evening offers a crucial space for communal and artistic joy, allowing us to focus on the experiences we treasure most in life. It is a celebration of the wildest — and simply most fun — music you’ve never heard!

PROGRAM

shrimp BIT babyface – Alex Paxton

Coast (from Hoodoo Zephyr) – John Adams, arr. Caleb Burhans

My Buick – Louis Cole, arr. Vicki Leona Nguyen*

-INTERMISSION-

Jori – Les Filles de Illighadad, arr. Zachary James Ritter*

Machaut-a-Go-Go – Eve Beglarian

Winter Astral – Beverly Glenn-Copeland, arr. David Bloom*

Music for People Who Like Art – Andrew Hamilton

*denotes world premiere arrangement

Click here to get a ticket!

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Brooklyn Rider | Lincoln Center | Chalk and Soot
Aug
9
7:30 PM19:30

Brooklyn Rider | Lincoln Center | Chalk and Soot

Chalk and Soot

As a capstone to Brooklyn Rider's 20th anniversary celebration at Lincoln Center, the ensemble presents an epic culminating program, featuring new works by Giovanni Sollima (NY premiere), and Tyshawn Sorey, both written for the group's recent commissioning project, Brooklyn Rider Almanac, Book II.  Ariadne sings Schoenberg String Quartet No. 2 and Colin Jacobsen’s Chalk and Soot.

Summer for the City
Brooklyn Rider: 20 Years at Play

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Affair of the Poisons | Death of Classical | Company XIV
Jul
21
7:00 PM19:00

Affair of the Poisons | Death of Classical | Company XIV

Ariadne sings French Airs de Cour with lutenist Dušan Balarin in an immersive murder mystery at Printemps New York.

This one-night-only, after-hours immersive theater experience, conceived and directed by yours truly, will take place throughout the newly-opened retail and hospitality concept Printemps New York, at One Wall Street, centered on a pivotal historic moment in Louis XIV's court, The Affair of the Poisons, mixing poison, palace intrigue, and witchcraft, from murder plots to a Black Mass, in a blend of immersive theater, live performance, historical drama, and unexpected encounters.

Unfolding across multiple rooms of Printemps New York's 55,000 square foot space, you'll be pulled into the action of the narrative through food, drink, and performance. In the main salon, an ensemble of baroque instrumentalists directed by Elliott Figg will perform music from the court of Versailles, while Company XIV performance artists do hand balancing, bottle walking, and Baroque bird dancing acts.

In a nearby corridor, a sole viola da gamba player will guide guests to the Boudoir, where Dušan Balarin on theorbo will accompany soprano Ariadne Greif, as she sings and channels Louis XIV's murderous mistress, Madame Athénaïs de Montespan.

At the center of the evening is a performance by the full Versailles Royal Opera Orchestra and Franco Fagioli, taking place in the main Salon, with music by Giacomo Rossini, Pierre Rode, and more. The performance will mark the New York debut for both the Orchestra and Fagioli.

The evening will conclude with a Black Mass in the Red Room of Printemps New York, hosted by drag opera artist Creatine Price, dancers Liana Zhen-ai, Truth Colon, and Mark Bankin, and performance artists and actors from Company XIV that include a candelabra-balancing belly dancer.

Throughout the evening, DoC artists and actors from Company XIV, playing the below historical characters from The Affair of the Poisons, will engage you in nefarious plots to poison one another, desperate attempts to protect themselves, and everything in between.

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Rome is Falling | Run AMOC* Festival Lincoln Center
Jul
13
8:00 PM20:00

Rome is Falling | Run AMOC* Festival Lincoln Center

Rome Is Falling: Alice Tully Hall  — July 13, 2025

Rome is Falling, conceived and composed by AMOC* bassist Doug Balliett, is a zany lesson on the absurdity of what can happen when influential people lose power. In his ever-prescient, ever-joyful way, Balliett brings audiences of all ages on a musical journey through a world that includes lollipops, an absurd number of characters, and an emperor with a chicken fetish.

Rome was one of the world's great civilizations, yet, like all empires, it fell. Why and how? The story is a mixture of politics, betrayal, immigration, religion, climate, pandemic, natural disaster, xenophobia, and bad luck–everything human and everything we face today.

Run AMOC* Festival
The American Modern Opera Company (AMOC*) is a leading force among today's most innovative and visionary interdisciplinary ensembles—recognized for producing deeply resonant and boundary-pushing art. This summer, AMOC*embarks on its most significant artistic endeavor to date with a bold slate of opera, dance, and music, creating an immersive landscape of art that redefines the festival experience. Performances will take place indoors and outdoors across Lincoln Center, moving fluidly between the spectacular and the intimate. Each production draws audiences into a realm where the lines between disciplines blur, celebrating the company’s audacious creativity and intimate approach to storytelling.


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